I have also heard mention (particularly last year at Chicago where I was keeping company with people who have competed at these things a lot) that judging at the American GDs can be as arbitrary and different from one to the other as they can from one country to another in Europe. If certain people are the head judges, they hate NMM and won't choose stuff with it if they can help it. Others hate metalics. And so on....
Last year at Chicago, darker colored models didn't do as well. Part of the speculation was because the lighting there was so poor they just didn't show as well. Since they don't typically have better lighting except for the photography area, the judges have to work with what the place has.
And personally, while all of you keep going on and on about how poor of a showing it was, keep in mind please... if I go to Baltimore and get my butt kicked (again) and everyone here goes on and on about how it was such a poor showing I'M GOING TO FEEL HORRIBLE AND NEVER SHOW YOU ANYTHING I PAINT AGAIN. (at least not for a looooooong time)
Sure, maybe some of the competition was thin. Have you seen the way the rules have changed here to combine certain categories? I predicted months ago that it might drive away some of the people who truly deserve a bronze or silver but not a gold. If you take away the mid-level painters some...
Please remember -- there should be a difference between commenting on a poor showing of talent at a competition and sounding insulting. Plus, you're getting digital pictures, not the real thing in front of you.
